LOT DETAILS
Materials:
pen and brown ink, grey wash (possibly added by a later hand)
Measurements:
6.69 in. (17.00 cm.) (height) by 9.13 in. (23.20 cm.) (width)
Description:
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Markings:
with inscription 'G. V. NIEVWLANDT/ 1622' (on rock, centre left); fragmentary watermark bunch of grapes
Exhibited:
Rotterdam, Museum Boijmans Van Beuningen, Paris, Fondation Custodia, and Brussels, Bibliothèque Albert 1er, Le Cabinet d’un Amateur: Dessins flamands et hollandais des XVIe et XVIIe siècles d’une collection privée d’Amsterdam, 1976-77, no. 152, pl. 42 (catalogue by J. Giltaij).Paris, Fondation Custodia, Paysages de France, 2008, no. 63 (catalogue by S. Alsteens and H. Buijs).Paris, Fondation Custodia, and Amsterdam, Museum Het Rembrandthuis, Tour de France 1646: Le Val de Loire en Dessin, 2006-07 (not included in catalogue).
Literature:
E. Bock and J. Rosenberg, Die Zeichnungen Niederländischer Meister im Kupferstichkabinett zu Berlin, Berlin, 1930, I, p. 202 (as Willem van Nieulandt).M. Russell, Visions of the Sea: Hendrick C. Vroom and the Origins of Dutch Maritime Painting, Leiden, 1983, pp. 109-10, fig. 107.G. Keyes, Cornelis Vroom: Marine and Landscape Artist, Alphen aan den Rijn, 1975, pp. 210-1, no. D2.
Provenance:
Dr Richard Alexander-Katz (b. circa 1850), Berlin; K.E. Henrici, Berlin, 21 June 1917, lot 117 (as G. van Nieulandt).Mrs Toni Straus-Negbaur (L. 2459a); Paul Cassirer, Berlin, 25-26 November 1930, lot 72 (as Willem van Nieulandt; sold for 150 RM).